You've Cott: Thomas Cott

IN THIS EPISODE

Erik and Thomas talk about what marketing was like before the Internet, the origins of You’ve Cott Mail, how Alvin Ailey is working to speak to millennials, and they may have chatted a bit about Beyoncé.

 

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I've always been a media junkie and always read way too much. It's partly because that's the way I was built. My family always read papers and watched the news and it was just in my DNA to educate yourself about the world around you. As I got into the arts world, I really just wanted to know what other people were talking and thinking about.

ABOUT THOMAS

To arts administrators Thomas Cott is perhaps best known for You’ve Cott Mail, an emailed digest of news and commentary about the arts he sent for free almost every weekday for over 20 years. Thomas' career has encompassed producing and administrative roles in dance, theater, opera, and the humanities—from Broadway to the New York Public Library. He's currently at Alvin Ailey American Dance Theater as Senior Director of Marketing and Creative Content.

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EPISODE TRANSCRIPT

Erik Gensler: Well thank you so much for having me here this is my first recording in an official podcast studio.

Jane Chu: Well thanks for giving me the opportunity.

Erik Gensler: And thank you for all the amazing work you do on behalf of the arts in this country it's a real pleasure and honor to be able to speak with you

Jane Chu: Thank you

Erik Gensler: What is the mission of the National Endowment for the Arts?

Jane Chu: Well the mission of the National Endowment for the Arts has been about making sure that the arts can thrive in so many different ways all across the nation, so that's the way we think in our activities. That's the way we think in terms of the grants awarded. Is the nation able to help, and really engage with the arts, , in so many different ways.

Erik Gensler: how and why was the institution founded?

Jane Chu: We've seen the benefits of participating in the arts, and that is why it was founded 53 years ago, when I first got here, to the National Endowment for the Arts, I looked at the enacting legislation, and we wanted to make sure that we have followed, uh, that specific legislation from the beginning, which is to help the nation thrive through the arts.

There are many, uh, many opportunities, milestones that we're so pleased to see, and they range from making sure that there are arts activities, and that the NEA has been able to support across the nation, so all 50 states, all 435 congressional districts, There's 19 thousand communities in the United States, and the National Endowment for the Arts supports, 16 thousand of them.

Erik Gensler: Wow.

Jane Chu: We've seen a really good track record of new projects, helping organizations get off the ground, who are really doing good work. I think back to Prairie Home Companion, National Endowment for the Arts was able to, uh, see that at the very beginning. American Film Institute, uh, we s-, sponsored a deaf initiative to make sure that people with low hearing, and people who were deaf would be able to participate in the arts, uh, Deaf West Theater in California.

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Erik Gensler: Well thank you so much for having me here this is my first recording in an official podcast studio.

Jane Chu: Well thanks for giving me the opportunity.

Erik Gensler: And thank you for all the amazing work you do on behalf of the arts in this country it's a real pleasure and honor to be able to speak with you

Jane Chu: Thank you

Erik Gensler: What is the mission of the National Endowment for the Arts?

Jane Chu: Well the mission of the National Endowment for the Arts has been about making sure that the arts can thrive in so many different ways all across the nation, so that's the way we think in our activities. That's the way we think in terms of the grants awarded. Is the nation able to help, and really engage with the arts, , in so many different ways.

Erik Gensler: how and why was the institution founded?

Jane Chu: We've seen the benefits of participating in the arts, and that is why it was founded 53 years ago, when I first got here, to the National Endowment for the Arts, I looked at the enacting legislation, and we wanted to make sure that we have followed, uh, that specific legislation from the beginning, which is to help the nation thrive through the arts.

There are many, uh, many opportunities, milestones that we're so pleased to see, and they range from making sure that there are arts activities, and that the NEA has been able to support across the nation, so all 50 states, all 435 congressional districts, There's 19 thousand communities in the United States, and the National Endowment for the Arts supports, 16 thousand of them.

Erik Gensler: Wow.

Jane Chu: We've seen a really good track record of new projects, helping organizations get off the ground, who are really doing good work. I think back to Prairie Home Companion, National Endowment for the Arts was able to, uh, see that at the very beginning. American Film Institute, uh, we s-, sponsored a deaf initiative to make sure that people with low hearing, and people who were deaf would be able to participate in the arts, uh, Deaf West Theater in California.

Erik Gensler: Well thank you so much for having me here this is my first recording in an official podcast studio.

Jane Chu: Well thanks for giving me the opportunity.

Erik Gensler: And thank you for all the amazing work you do on behalf of the arts in this country it's a real pleasure and honor to be able to speak with you

Jane Chu: Thank you

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